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Stormy Day, Geelong by Josephine Muntz Adams.

A fine example of impasto, a painting technique that involves applying thick layers of paint to create a textured or 3D effect.

Low Tide, Irish Coast, by Josephine Muntz Adams.

First exhibited as part of the seminal ‘Australian Exhibition of Women’s Work’ in 1907.

Fishing Village, by Josephine Muntz Adams.

A muted palette and soft brushstrokes create a sense of solitude, evoking the harsh yet beautiful life by the sea.

Tree in a Landscape, by Josephine Muntz Adams.

Soft, flowing brushstrokes capture the warmth of the setting sun filtering through trees.

Storm approaching, by Josephine Muntz Adams.

The shifting sky before a storm, with dramatic clouds rolling over an open landscape.

Mordialloc Creek, by Josephine Muntz Adams.

A tranquil waterside scene with loose, expressive brushstrokes.

Christmas Hills, by Josephine Muntz Adams.

A vivid Impressionist landscape capturing the rolling hills, towering gum trees and dynamic Australian light.

Sunset, Edithvale Beach, by Josephine Muntz Adams.

‘Turneresque mood and atmosphere’, shown in major Australian exhibitions from 1943 to today.

Untitled Landscape, by Josephine Muntz Adams.

This Impressionist painting evokes the quiet charm of rural Australia.

By the Sea, by Josephine Muntz Adams.

A quiet, contemplative moment as a female figure gazes out over the ocean.

Landscape unknown, by Josephine Muntz Adams.

A less common example of Josephine’s watercolour artworks, possibly of Mentone Beach in Melbourne, Victoria.

A Venice watercolour, by Josephine Muntz Adams.

Expressive brushwork reflects the interplay of light, water and timeless architecture.