Venice captures the city’s luminous atmosphere with expressive brushwork, reflecting the interplay of light, water and timeless architecture.
In 1912, Josephine exhibited Venice, Before the Storm and Evening Venice at the Annual Exhibition of the Victorian Artists’ Society.
Image courtesy of the Bridget McDonnell Gallery.
Expressive brushwork reflects the interplay of light, water and timeless architecture.
A moody, impressionistic landscape that captures a humble dwelling nestled among tall, shadowed gums.
A fine example of impasto, a painting technique that involves applying thick layers of paint to create a textured or 3D effect.
Another Coolgardie landscape, where Josephine was visiting her brother and family on the West Australian goldfields.