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The Heidelberg School, often described as Australian Impressionism, was a significant art movement of the late 19th century. While Josephine was not formally part of the movement, her career and connections are intertwined.

Many of her contemporaries, such as Tom Roberts (1856–1931), Arthur Streeton (1867–1943) and Frederick McCubbin (1855–1917) are closely associated with the Heidelberg School.

These artists focused on plein air, or outdoor painting, capturing the Australian bush and rural life with an emphasis on the unique qualities of the nation’s light and landscape.

Although Josephine shared their interest in depicting Australian subjects, her artistic approach and choice of subject matter set her apart. Rather than aligning with a cohesive movement or group, she pursued a more individual practice.

Christmas Hills, by Josephine Muntz Adams.

Christmas Hills

A vivid Impressionist landscape capturing the rolling hills, towering gum trees and dynamic Australian light.
Storm approaching, by Josephine Muntz Adams.

Storm Approaching

The shifting sky before a storm, with dramatic clouds rolling over an open landscape.
Tree in a Landscape, by Josephine Muntz Adams.

Tree in a Landscape

Soft, flowing brushstrokes capture the warmth of the setting sun filtering through trees.
Stormy Day, Geelong by Josephine Muntz Adams.

Stormy Day, Geelong

A fine example of impasto, a painting technique that involves applying thick layers of paint to create a textured or 3D effect.
Stormy Day, by Josephine Muntz Adams.

Stormy Day

A dramatic sky, rolling hills and textured foreground evoke the quiet tension of an impending storm.
Bush Track, by Josephine Muntz Adams.

Bush Track

This Impressionist landscape evokes the tranquillity and depth of the Australian bush.
Riverscape, by Josephine Muntz Adams.

Riverscape

An expressive Impressionist landscape, capturing the beauty of the Australian countryside.
River Scene, by Josephine Muntz Adams.

River Scene

A vivid Impressionist landscape, capturing the interplay of light, colour and reflection.
Bushland, by Josephine Muntz Adams.

Bushland

A moody, atmospheric depiction of the Australian landscape.
By the River, by Josephine Muntz Adams.

By the River

By the River captures the play of light on water and land with soft, expressive brushstrokes.
Landscape, by Josephine Muntz Adams.

Landscape

An expressive landscape featuring thick, textured brushstrokes and a moody sky.
Parklands, by Josephine Muntz Adams.

Parklands

A quiet celebration of nature’s changing moods.
Clouds, by Josephine Muntz Adams

Clouds

A moody sky rolls over distant hills.
Forest Scene, by Josephine Muntz Adams.

Forest Scene

A richly textured oil sketch captures the layered density of the Australian bush.
A moody impression of the Australian landscape, by Josephine Muntz Adams.

Trees

A quiet study in blue-greys, evoking the hush of dawn or dusk.
Bush Cottage, Josephine Muntz Adams

Bush Cottage

A moody, impressionistic landscape that captures a humble dwelling nestled among tall, shadowed gums.
On the River, by Josephine Muntz Adams

On the River

A tender study of quiet reflection featuring Josephine’s niece, Kathleen Frances Muntz.
Oil painting by Josephine Muntz Adams showing tall bush trees opening to a pale sky and distant horizon.

Bush Trees

A serene bushland study where tall trees frame soft light and a distant horizon.
Oil painting by Josephine Muntz Adams showing a muted bush landscape with tall trees and soft haze.

Bush painting

Atmospheric bush scene with tall trees painted in soft, muted tones.