Loose, expressive brushstrokes bring this rural scene to life, with dappled light and earthy colours creating a sense of movement and tranquillity.
This artwork provides an overt example of Josephine’s impressionist leanings, with liberal use of impasto.
An overt example of Josephine’s impressionist leanings, with liberal use of impasto.
First exhibited as part of the seminal ‘Australian Exhibition of Women’s Work’ in 1907.
Soft afternoon light falls over trees and fields at Edithvale in Melbourne, Victoria.
A calm river winds through low light and passing clouds.